(From Wikipedia)
Mirabai (1498-1546) was a Hindumystic poet of the Bhakti movement.
She referred to the Lord, whom she saw as her husband, with different names like Satguru, Prabhu Ji, Girdhar Nagar, Krishna. She even called him the husband of her soul. Due to their mother, her in-laws disapproved of her public singing and dancing as she belonged to a Royal Family of Mewarh and was a princess. But she had too much love for her god and sacrificed everything, even her family, for god and attained Moksha through Bhakti Yoga. She is a celebrated Bhakti saint, particularly in the North Indian Hindu tradition.
In her poems, Krishna is a yogi and lover, and she herself is a yogini ready to take her place by his side unto a spiritual marital bliss.[7] Meera’s style combines impassioned mood, defiance, longing, anticipation, joy and ecstasy of union, always centered on Krishna.
“My Dark One has gone to an alien land.
He has left me behind, he’s never returned, he’s never sent me a single word.
So I’ve stripped off my ornaments, jewels and adornments, cut my hair from my head.
And put on holy garments, all on his account, seeking him in all four directions.
Mira: unless she meets the Dark One, her Lord, she doesn’t even want to live.”
Meera speaks of a personal relationship with Krishna as her lover, lord and mountain lifter. The characteristic of her poetry is complete surrender.
“After making me fall for you so hard, where are you going?
Until the day I see you, no repose: my life, like a fish washed on shore, flails in agony.
For your sake I’ll make myself a yogini, I’ll hurl myself to death on the saw of Kashi.
Mira’s Lord is the clever Mountain Lifter, and I am his, a slave to his lotus feet.”